A Sound Success

Liberty University Radio Drama “The Encounter” Finds Global Audience

When Chris Nelson took over Liberty University’s radio drama about five years ago, he knew he wanted to take it in a new direction. The drama had previously focused on adapting plays for radio, but Nelson wanted to do something more philosophical. “The main questions I wanted to deal with were ‘What is truth?’ and ‘Is there absolute truth?’” he says. “I gave the writers a prompt with the idea of two mountain peaks: the Peak of Reliance, a place that used truth as a weapon, similar to a legalistic society, and the Peak of Defiance, a place where truth was relative to time and circumstance. That led us to a semester of world building.” This process led to the creation of “The Encounter,” which presents a dystopian world outside our time in which the listener accompanies four characters on their adventures as they encounter truth.

The major theme of the drama is the cyclical nature of man, specifically as it pertains to mankind’s tendency to draw close to the truth, fall away from it, and be brought back to it again by a voice of truth. The characters in the drama wonder if there is any truth beyond the lies of their respective societies.

“The Encounter” will ultimately boast seven seasons, and the team recently finished recording the fifth season. The first two seasons have already been released, and Nelson hopes to premiere the third season before this summer. Nelson, who is an associate professor and the Summer Arts program coordinator at Liberty, operates as the series’ creative manager. Associate Professor Dr. Chris Underation serves as Producer and Associate Professor Kornel Gerstner serves as sound editor. Several Liberty students and other faculty members are also actively involved in the project as voice actors, writers, editors, composers, and various other roles.

“The unique thing about our show is that it is produced within an academic setting,” Nelson remarks. “Most of the voice talent for seasons one and two are college-aged students here at the university, from a variety of disciplines. The show’s music is composed by a School of Music graduate student and I have conceptual art produced by a recent graduate from the Studio and Digital Art program. I am surrounded by an amazing pool of talent here at Liberty.”

Mark McDowell, the series’ composer, has thoroughly enjoyed his experience with the show. “Composing for the series has truly been a unique experience thus far,” he says. “The storyline and main characters, within the context of the mysterious societies, laid the foundation for a diverse compositional palette. It’s been really fun working on each episode and composing music that complements the storyline.”

“‘The Encounter’ has brought a new sense of creative fulfillment to my world as an artist,” adds Jamie Cloutier, administrative assistant for Liberty’s Department of Theatre Arts and voice actor for the series. “Voiceover work is a relatively new form of performance art in my career and I have fallen in love with the unique challenges that go along with delivering a vivid storyline through the use of voice acting.”

Liberty students who participate in “The Encounter” can use the opportunity for college credit, but that is clearly not the only reason they are getting involved.

“I started writing fiction in high school, but it’s when I started writing for ‘The Encounter’ in undergrad that I realized how much I loved writing audio dramas too,” says Colton Grellier, Liberty student and lead writer of the series. “The beauty of this medium is that you engage the audience’s imagination as if they were reading a book while also having the assorted toolbox of actors and sound effects that bring the story to life as if on screen.”

“The most rewarding part of working on ‘The Encounter’ is being part of a creative team,” notes Joshua Reed, Liberty student and voice actor for the series. “Even as a voice actor I got to give my opinion on the writing and make suggestions about where the story should go. It was an awesome experience to be a part of the storytelling process.”

According to Nelson, the development, recording, and editing processes have become much more efficient as the series has progressed. “The process has evolved over time as I have learned what works best,” he says. “In season one, we had little to no time to refine or rehearse the material with the actors. To contrast that, we just recorded season five last fall and I had the cast work through the scripts throughout the semester. Those scripts went through four to five edits each and the cast was able to be more familiar with the scripts and the moments within the story. That was so helpful.”

Although he is glad that things are running more smoothly now, Nelson is also grateful for those early days of production. “We moved so quickly; we were still very green,” he notes. “But you know what? I’m happy for that learning process because it’s important for students to see that the process doesn’t have to be perfect before you start creating. I wish it was, but I’m 40 years old; I know life isn’t perfect and you keep moving, keep creating.”

Reception of “The Encounter” has been overwhelmingly positive thus far. Several episodes have won awards at the Broadcast Education Association; “The Banishment,” episode 13 of season one, won a Best of Festival award along with a cash prize last year and episodes from season two took the top two national awards this year. Additionally, the series was awarded Best New Show by the Seneca Awards in 2017.

Nelson notes that he and the entire team are honored by this recognition, but the series’ popularity amongst fans globally thrills him the most. “It’s being listened to all over the world,” he says. “In fact, right now Indonesia is a hot spot, which is just mind-boggling. But that is why we are doing this: to speak to this generation, wherever they are. I hope the audience for the show grows and that we are able to connect more people to it.”

As “The Encounter” team works on the final two seasons of the series, Nelson plans to continue to strive for excellence and to enjoy every minute of the process. “I love creating something that has meaning, and I want it to be excellent as well,” he says. “With ‘The Encounter,’ I am surrounded by like-minded students, staff, and faculty. It’s so rewarding to be surrounded by people who want excellence and who are willing to give so sacrificially to the time needed to pursue it.”




Local Theatre Preview

A guide to the area’s upcoming theater opportunities.

Information Compiled by
Emily Mook Hedrick

Whether you prefer mesmerizing musicals or murder mysteries, there is a little something for everyone on the local theater scene this year. But with so many talented groups, from high schools to community organizations, it can be hard to keep up with what’s playing and when. Our 2019 Theater Guide is here to help—flip through to see the year’s upcoming shows!

Endstation Theatre Company
2500 Rivermont Avenue, Lynchburg
endstationtheatre.org

Tuesdays with Morrie
“The autobiographical story of Mitch Albom, an accomplished journalist driven solely by his career, and Morrie Schwartz, his former college professor. Sixteen years after graduation, Mitch happens to catch Morrie’s appearance on a television news program and learns that his old professor is battling Lou Gehrig’s disease. Mitch is reunited with Morrie, and what starts as a simple visit turns into a weekly pilgrimage and a last class in the meaning of life.”
June 6-9 & June 12-16

The Bluest Water
“In August 1969, Hurricane Camille, the second-most intense hurricane on record to hit the United States, brought devastation to Nelson County. The Bluest Water follows survivors Jared and Liz, 50 years later, as they try to figure out what happened to a friend who lost his family to the storm, and as they remember the dead and try to heal from their own wounds.”
June 21-23 & June 26-30, special performance on August 11 at 6:30 p.m.

My Way: A Musical Tribute to Frank Sinatra
“My Way relives the legendary career of Frank Sinatra as four actors share more than 50 of his beloved hits that span the breadth of his career from the 1950s to the 1990s. Performing songs that include ‘Fly Me to the Moon,’ ‘Chicago,’ ‘New York, New York,’ and ‘That’s Life’ are four professional performers straight from the stages of New York City.”
July 12-14, July 17-21, July 23-28
All evening performances begin at 7:30 p.m. All matinee performances begin at 2 p.m.


Wolfbane Productions
618 Country Club Road, Appomattox
wolfbane.org

Cabaret
“In a Berlin nightclub, as the 1920s draw to a close, a garish Master of Ceremonies welcomes the audience and assures them they will forget all their troubles at the Cabaret. With the Emcee’s bawdy songs as wry commentary, Cabaret explores the dark, heady, and tumultuous life of Berlin’s natives as Germany slowly yields to the emerging Third Reich.”
April 11-14, 18-21, 25-28, & May 2-4

A Gentleman’s Guide to Love and Murder
“A Gentleman’s Guide to Love and Murder is a murderous romp filled with unforgettable music, non-stop laughs and a scene-stealing role for one actor playing all eight of the doomed heirs who meet their ends in the most creative and side-splitting ways.”
June 6-9, 13-16, 20-23, 27-29

Wolfbane’s Tempest
“At long last, this beautiful adaptation of the Shakespearean masterpiece returns to the woods of the Wolf PAC. Tempest is a tale of magic, deception, revenge, and forgiveness. Learn what happens as Prospera, the deposed Duchess of Milan, plots revenge against her foes on the remote and enchanted island of Oilean.”
August 8-10, 15-17, 29-31

The Crucible
“Winner of Wolfbane’s 2019 Audience Choice poll, Wolfbane is excited to put its unique twist on this Arthur Miller classic. In The Crucible, fear runs rampant through Salem, Massachusetts, resulting in unreasonable accusations and ridiculous behavior pitting neighbor against neighbor. Journey into the woods with Wolfbane and experience this show like never before.”
October 3-5, 10-12, 24-26

Thursday, Friday, & Saturday Performances:
All shows start at 8 p.m., doors open at 7 p.m.
Sunday Performances: All shows start at
6 p.m., doors open at 5 p.m.


Renaissance Theater
1022 Commerce Street, Lynchburg
renaissancetheatrelynchburg.org

Driving Miss Daisy
“When Daisy Werthan crashes her car, her son arranges for her to have a chauffeur named Hoke Colburn. Daisy and Hoke’s relationship gets off to a rocky start, but they gradually form a close friendship over the years, one that transcends racial prejudices and social conventions.”
April 19-20, 26-28 & May 2-4

Drinking Habits
“Two nuns at the Sisters of Perpetual Sewing have been secretly making wine to keep the convent’s doors open. Two reporters go undercover as a nun and priest to break the story. Their presence, combined with the addition of a new nun, spurs paranoia that spies have been sent from Rome to shut the convent down. Wine and secrets are inevitably spilled as everyone tries to preserve the convent and reconnect with lost loves.”
July 12-13, 19-21, 25-27

Mamma Mia!
“Donna is preparing for her daughter’s wedding with the help of two old friends. Meanwhile Sophie, the spirited bride, has a plan. She secretly invites three men from her mother’s past in hope of meeting her real father and having him escort her down the aisle on her big day. Join us as we present the musical sensation Mamma Mia!, based on the music of ABBA.”
October 4-5, 11-13, 17-19

The Best Christmas Pageant Ever!
“In this hilarious Christmas classic, a couple struggling to put on a church Christmas pageant is faced with casting the Herdman kids—probably the most inventively awful kids in history. You won’t believe the mayhem—and the fun—when the Herdmans collide with the Christmas story head on!”
December 6-7, 13-15, 19-21

Thursday, Friday, and Saturday shows begin at 8 p.m. Sunday matinees begin at 3 p.m.


Academy Center of the Arts
600 Main Street, Lynchburg
academycenter.org

Barter Players Presents: The Adventures of Tom Sawyer (Historic Academy Theatre)
“Whether it’s fishing with Huckleberry Finn or convincing his friends to whitewash Aunt Polly’s fence, nobody loves life more than the irascible Tom Sawyer. Then one night in a spooky graveyard, Tom and Huck stumble upon a deadly secret. Will they be able to save Muff Potter from the treacherous Injun Joe before it’s too late? Join Tom and Huck on the most exciting adventure of their life, where they learn that man’s greatest treasure is the gift of friendship.”
March 17 at 3 p.m.

Academy Presents: Aquila Theatre’s Frankenstein (Historic Academy of Music Theatre)
“Written two centuries ago in 1818 by Mary Shelley, Frankenstein: The Modern Prometheus is the first true science fiction novel. Years ahead of its time, the story has since become the inspiration for countless film and stage adaptations. Frankenstein is a living, breathing, gruesome outcome of scientific discovery.”
March 30 at 7:30 p.m.

Beauty and the Beast, Jr. (A Youth Theatre Production at the Historic Academy Theatre)
“The classic story tells of Belle, a young woman in a provincial town, and the Beast, who is really a young prince trapped under the spell of an enchantress. If the Beast can learn to love and be loved, the curse will end and he will be transformed to his former self. But time is running out. If the Beast does not learn his lesson soon, he and his household will be doomed for all eternity.”
April 20 at 2 p.m.

Thomas Jefferson’s Poplar Forest Presents: Jefferson & Adams, On Stage and in Conversation (Historic Academy Theatre)
“Written by Howard Ginsberg and based on his original play, this is the story of the turbulent 52-year friendship of Thomas Jefferson, John Adams, and Adams’ wife, Abigail. Based on the collection of letters between these prolific founding fathers—and one equally astute wife—the play fuses compelling political thoughts with passionate personal beliefs.”
April 27 at 7:30 p.m.

Community Through Theatre Presents: Follies (Historic Academy Theatre)
“A true theatrical event, this legendary masterpiece is considered by many to be the greatest musical ever created. Surreal, sophisticated, compelling, heart-wrenching and epic in scope, Follies—by musical theatre legend Stephen Sondheim and author James Goldman—uses the musical theatre as a metaphor for the collapse of American innocence and naiveté in the post-Kennedy years.”
May 10-11, May 17-18 at 7:30 p.m.,
May 12 at 2 p.m., & May 19 at 2 p.m.


City on a Hill Youth Theater
219 Breezewood Drive, Lynchburg
facebook.com/CityOnAHillYouthTheater

Ladies of the Jury
“In a small town, a jury is selected and a murder trial is held. The dramatic proceedings are amusingly interrupted from time to time by Mrs. Crane, an eccentric juror. When the jurors retire to deliberate, the first ballot is eleven for ‘Guilty’ and one ‘Not guilty.’ Mrs. Crane has her own theories and she will not give in; she knows that capitulation means sending an innocent woman to her death.”
April 4-13, times TBD


Cavalier Theatre
(Jefferson Forest High School)
1 Cavalier Circle, Forest
sites.google.com/bedford.k12.va.us/cavaliertheatrehome/home

Footloose: The Musical
“One of the most explosive movie musicals in recent memory bursts onto stage! When Ren and his mother move from Chicago to a small farming town, Ren is prepared for the inevitable adjustment period at his new high school. What he isn’t prepared for are the rigorous local edicts, including a ban on dancing instituted by the local preacher, determined to exercise control over the town’s youth.”
April 30-May 5 at 7:30 p.m.


Brookville Theatre (Brookville High School)
100 Laxton Road, Lynchburg
facebook.com/BrookvilleHighSchoolTheatre/

Andrew Lloyd Webber’s Cats
“Cats is a sung-through musical composed by Andrew Lloyd Webber, based on Old Possum’s Book of Practical Cats by T. S. Eliot. The musical tells the story of a tribe of cats called the Jellicles and the night they make what is known as ‘the Jellicle choice’ and decide which cat will ascend to the Heaviside Layer and come back to a new life.”
March 28-30 at 7 p.m. & March 31 at 2 p.m.


Glass Theatre (E.C. Glass High School)
2111 Memorial Avenue, Lynchburg
ecglasstheatre.org

Hairspray
“It’s 1962 in Baltimore, and the lovable plus-size teen Tracy Turnblad has only one desire: to dance on the popular ‘Corny Collins Show.’ When her dream comes true, Tracy is transformed from social outcast to sudden star. She must use her newfound power to dethrone the reigning Teen Queen, win the affections of heartthrob Link Larkin, and integrate a TV network… all without denting her ‘do!”
April 25-26 at 7 p.m. & May 2-4 at 7 p.m.


Pioneer Theatre (Heritage High School)
3101 Wards Ferry Road, Lynchburg
lcsedu.net/schools/hhs/about/activities/pioneer-theatre

Nevermore: The Imaginary Life and Mysterious Death of Edgar Allan Poe
“Nevermore: The Imaginary Life and Mysterious Death of Edgar Allan Poe is a musical that follows the tragic life of Edgar Allan Poe and the internal struggles he faced which later on inspired his writings. The script contains many references to Poe’s poems and short stories.”
April 4-7, times TBD


Liberty Christian Academy Theatre
3701 Candlers Mountain Rd, Lynchburg
lcabulldogs.com

2019 shows are in the works. Stay tuned!


Liberty Tower Theater/Alluvion Stage Company
1971 University Blvd, Lynchburg
liberty.edu/academics/art/theatre & alluvionstage.com

The Diary of Anne Frank (Academic Performance at the Box Theater)
“In this transcendently powerful story, Anne Frank emerges from history a living, lyrical, intensely gifted young girl, who confronts her rapidly changing life and the increasing horror of her time with astonishing honesty, wit, and determination.”
March 22-23, 29-30 at 7:30 p.m., March 23, 30 at 2 p.m. & March 24, 31 at 3 p.m.
Special showings for school groups only on March 25 & 29 at 10 a.m.

Annie Get Your Gun (Academic Performance at the Tower Theater)
“Annie Oakley is the best shot around, and she manages to support her little brother and sisters by selling the game she hunts. When Col. Buffalo Bill discovers her, he persuades this novel sharpshooter to join his Wild West Show. It only takes one glance for her to fall head over heels for dashing shooting ace Frank Butler, who headlines the show. She soon eclipses Butler as the main attraction, which, while good for business, is bad for romance.”
April 12-13, 19-20, 26-27 at 7:30 p.m., April 13, 20, 27 at 2 p.m. &
April 14, 28 at 3 p.m.

Original Works
Student-written original plays: To Sail Away
(May 2 & 4 at 7:30 p.m. and May 5 at 3 p.m.)
and Treason with a Cup of Tea (May 3 & 5 at
7:30 p.m. and May 4 at 2 p.m.)

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University of Lynchburg Theatre
1501 Lakeside Drive, Lynchburg
lynchburg.edu/academics/
majors-and-minors/theatre/

New Works Initiative
March 20-21 at 7:30 p.m.

Curtain Call
Mar. 29-30 at 7:30 p.m.

Student Honorary Theatre Production (title to be announced)
Apr. 18-20 at 7:30 p.m.

Dance Works Concert
May 2-4 at 7:30 p.m.

Curtain Up! Curtain Call Musical Theatre Ensemble Original Works
“Join us for our unique partnership with emerging musical theatre writers from New York City. Curtain Call sings songs written for individual students and the entire ensemble. Mature themes and language.”
May 5 at 7:30 p.m.


Randolph College Theatre
2500 Rivermont Avenue, Lynchburg
randolphcollege.edu/theatre

She Kills Monsters
“She Kills Monsters tells the story of Agnes Evans as she leaves her childhood home in Ohio following the death of her teenage sister, Tilly. When Agnes finds Tilly’s Dungeons & Dragons notebook, however, she stumbles into a journey of discovery and action-packed adventure in the imaginary world that was Tilly’s refuge. In this high-octane dramatic comedy laden with homicidal fairies, nasty ogres, and 90s pop culture, acclaimed playwright Qui Nguyen offers a heart-pounding homage to the geek and warrior within us all.”
April 18-21 at 7:30 p.m. & April 20 at 2 p.m.


Sweet Briar Theater
134 Chapel Road, Sweet Briar
sbc.edu/arts/theatre-productions/

The Importance of Being Earnest
“The Importance of Being Earnest is the most renowned of Oscar Wilde’s comedies. It’s the story of two bachelors, John ‘Jack’ Worthing and Algernon ‘Algy’ Moncrieff, who create alter egos named Ernest to escape their tiresome lives.”
March 21-23 at 7:30 p.m. & March 24 at 2:30 p.m.




Self-Expression, Plus Students, Equal Strength

Local Nonprofit Brings Freedom School to Lynchburg

The Listening celebrated its fifth anniversary last March, but 2019 promises to be an even more noteworthy year for the arts advocacy nonprofit. This June, The Listening will launch Freedom School, a free six-week program for rising sixth-graders that aims to improve literacy during the summer through art, dance, spoken word, and theatre lessons. Lynchburg’s Freedom School will be held at Randolph College.

The Freedom School program is a national initiative created by the Children’s Defense Fund (CDF) and is rooted in the Mississippi Freedom Project of 1964. Lynchburg’s Freedom School will be the first in Central Virginia, and The Listening is ideally suited to pioneer the initiative locally. “Nicholas George [founder and executive director of The Listening] started The Listening as a way to affect lives through spoken word poetry, particularly as a mental health intervention for middle schoolers,” says the Reverend Dori Baker, Member at Large of The Listening’s Board of Directors. “Making poetry and performing poetry can help you move beyond isolation around your own pain, anxiety, and fear into a place of community.”

George, Baker, and the Reverend Dr. Keith Anderson began thinking about creating a Lynchburg Freedom School a couple of years ago, but the Charlottesville rally of August 2017 spurred the team to turn plans into reality quickly. “After white supremacists created a tragic moment in our neighboring town of Charlottesville, we looked at each other and said, ‘Now’s the time’,” Baker recalls. “‘People need a tangible way to express love in the face of this kind of hatred.’”
The first step in The Listening’s journey to build a Freedom School was a trip to Clinton, Tennessee, which is the home of CDF Haley Farm. The farm, which previously belonged to Roots author Alex Haley, is the site of the CDF’s annual Samuel DeWitt Proctor Institute for Child Advocacy.

Ten people— including three middle school students—made the trip.

“We had a week of being infused with the ethos of Freedom School and also learning the nuts and bolts,” Baker says. “We came back really inspired to do the fundraising and program planning. The three children who went were all middle schoolers. You can do Freedom School for third graders through high schoolers, but we had already zeroed in on middle school because that’s where The Listening’s sweet spot is. These middle schoolers came back so excited, singing the songs and doing the chants they had learned.”

Among the songs they learned was “Something So Strong,” a South African song of empowerment and resilience.

The lyrics include the phrase: “There’s something so strong inside of me; no matter what happens, I can take it, I can make it, I can be who I want to be.”

“The song is emblematic of what Freedom School can do,” Baker notes. “It puts inside kids’ heads this image of themselves as people who have many strengths, partly because of who they were born as, partly because of who their families are, and partly because of their communities.

Additionally, a particular strength that Freedom School focuses on is the history of people who have had to overcome struggles throughout time.

The curriculum is about inclusion, tolerance, and the strength that comes from diversity.”

The Freedom School curriculum focuses on teaching to the whole child (instead of “to the test”) through activities that foster self-expression and meaningful communication with others. “The metrics of Freedom School are so inspiring,” Baker says. “They really do solve that summer reading loss problem, especially for boys. I see Freedom School having a positive influence on the public education system over time.”

Days at the Lynchburg Freedom School will run from 8 a.m. to 3:30 p.m. and will begin with breakfast and different guest readers from the community.

“It may be our mayor, our school board superintendent, a librarian, a custodian, or a barber who does a reading, tells the children a little bit about him or herself, and does a question-and-answer session,” Baker says. “The readings will end with a chant in which the children will thank the reader for taking the time to come and share. I know that every single person who comes in to be a guest reader is going to want to find a way to come back and help in some way because, in my experience, there are not enough opportunities out there for that kind of hands-on, tangible expression of love.”

After the guest reading, the 50 students selected to participate in Freedom School will come together for a time of gathering called “Harambe,” a Swahili word meaning “let’s pull together.”

Then, after lunch, community partners such as Old City Cemetery, the Legacy Museum, Endstation Theatre Company, Camp Kum-Ba-Yah, and HumanKind will work with The Listening to provide fun enrichment activities.

Student eligibility will be determined by recommendations from fifth grade teachers and guidance counselors, and recruitment will take place in March and April.

“We hope to be able to prioritize kids who come from our two most impoverished neighborhoods,” Baker notes.

“We believe this can be an intervention in generational poverty. Dr. Elizabeth Perry-Sizemore, who is a professor of economics at Randolph College, and her research assistants are identifying the places by census zone in Lynchburg that have the highest poverty rate, and we are going to really emphasize recruitment from those two neighborhoods.” The Freedom School staff will consist of a program director, site coordinator, and six servant leader interns.

Baker hopes that Lynchburg’s Freedom School will serve as an example for future Freedom Schools throughout Central Virginia, and she is confident that future isn’t too far away.

“I envision Freedom Schools emerging across the state of Virginia from Franklin County, where Booker T. Washington was emancipated as an 11-year-old, to Hampton, where he was educated at Hampton Institute,” she says. “He walked the 500 miles right through Lynchburg and Richmond on that journey. Richmond will have a Freedom School in either 2019 or 2020. I imagine Freedom Schools blossoming all along that trail that Booker T. Washington walked.”




Artists Profile: Jannett Spearman January/February 2019

First off, congratulations on the expansion of Spearman Artisanry. How do you like your new location on Main Street?

Buying the old Buckingham & Flippin building at 919 Main Street has been one of our greatest decisions. We live and work there now. The community has welcomed us and we feel like part of a true family. Of course, in addition to our new location, we still maintain our original location inside the Lynchburg Community Market at 1219 Main Street where we have been for the last five years.

Your store revolves around your gorgeous handcrafted jewelry. How did you first learn to crochet fine silver?

I continued my career in electronics by going into teaching in Lima, Peru, where I taught computers at an international Christian school. Loving to work with my hands caused me to explore the art of making jewelry. So, I enrolled at the Peruano Japones Art Center, studying jewelry design, merchandising and business administration. In those classes I learned glass fusing, weaving, leather working, felting, beading, painting, embossing, wire wrapping and other artistic skills. Ultimately, I embraced wire crochet for its sculptural, feminine and romantic characteristics.

What inspires you to create a piece of jewelry?

My inspiration for each piece is people. As I travel, I find myself being inspired by the different cultures in how they express themselves—not only in dress, but who they are as people. Some of them are very vibrant, while others are more subdued. This translates into unique creations for each individual. I even have product lines that I have named after people whose personalities have inspired me.

About how long do you spend on each piece?

It depends on the size and intricacy of the piece. Some can take me only a matter of minutes, while others may take days or weeks.

Spearman Artisanry is also a “fair trade boutique” selling accessories, home goods and clothing. Why is being fair trade important to you?

Fair trade is important to me for several key reasons. First, fair trade helps lower poverty. Instead of receiving charity, people working in fair trade business relationships are building a stable income for themselves. Second, fair trade ensures ethical treatment of workers. In contrast to sweatshops, the artisans who make these goods work for themselves and are able to work out of their homes with family members or friends. Also, by purchasing directly from them, I can ensure the process and quality of the goods that are being produced. Third, fair trade helps people to thrive in their own countries, which is also very important to us.

Connected to that third point, you also run a nonprofit alongside your business.

While we do support local organizations such as the Lynchburg Historical Foundation, Friends of the Market, Downtown Lynchburg Association, Lynchburg Symphony Orchestra, Academy Center of the Arts, and Thomas Road Baptist Church to name just a few, we also support our very own nonprofit, Building Lives International (Tejiendo Vidas Internacional). It is through this ministry that we sponsor students in third world countries by helping them with their education and provide housing for them and their families.

How often do you visit the countries of origin of your products?

I visit at least three countries per year, not only to visit existing artisans, but also to search for others.

What’s next for you in your journey?

We have a few plans. We are working with a marketing agency to help us increase our online presence and help us with our advertising. We want to work closer with the organizations within our community to help Lynchburg be one of the best places to live and work in Virginia. Finally, we want to be able to do more through Building Lives International by reaching more artisans in other countries so that we can minister to them and their families with educational opportunities and housing .




A Colorful Revival

The Up-and-Coming 5th Street Pops with New Art Projects

By Jennifer Redmond | Photos by RJ GOODWIN

If you haven’t seen 5th Street lately, then you haven’t seen 5th Street.

While new storefronts are consistently opening, it’s the addition of several murals and public art that are really starting to steal the show. With the completion of the roundabout and city beautification efforts along the NW corridor (the stretch from Federal to Main), new businesses, eateries, coffee shops and even a health center have moved in over the course of the last few years. And along with their presence, many business owners are working to improve the aesthetics of the street as well.

“I want people to be looking up to the projects we have done and be inspired to do their own,” says Jason Arbusto, owner and chef of Daughters and Sons Pizza. Located on the corner of 5th and Madison, Arbusto’s shop had an older mural on its outside facing wall, but he wanted to “add something new and fresh to the neighborhood.”

Fortunately for Arbusto, it was his pizza that helped bring the mural to life. He envisioned a “vintage postcard…retro and iconic [that] could stand the test of time,” but needed an artist to “expand it and make it his own” and is also “someone who loves Lynchburg.” Then, one day, Arnulfo Jacinto and his wife Alisa came in to have some food, and in Arbusto’s words, they had “a special connection from the first conversation, and the project took wings from there.”

Jacinto (featured in the March/April 2018 issue of Lynchburg Living) says he immediately caught Arbusto’s vision of the “vintage postcard look” but also saw obstacles with the selected wall’s two windows; reconfiguring the layout made it possible to accommodate them into the spelling of “Downtown” by using each window to form the “Os” and still left plenty of room to sketch in the larger and more elaborate spelling of “Lynchburg” with block letters.

“We worked back and forth,” Arbusto says. “Tweaking the design and making modifications, but [Jacinto] had a lot of creative license…the process is the most fun part of it all, and we both love to collaborate.”

Into each of those block letters spelling “Lynchburg,” they wanted to incorporate icons of Lynchburg both past and present since the original post card that inspired Arbusto’s idea was from the 1940s and, as Jacinto says, “didn’t have any of the contemporary landmarks of today.”

Jacinto’s wife, Alisa, who has helped throughout the project, thought to ask a local Facebook group for their ideas on what to include and suggestions poured in. Jacinto says they incorporated most of them, which means the community members had key input. From the familiar—Monument Terrace, the Lynchburg Community Market, Point of Honor—to the newer— Amazement Square, Mama Crockett’s, the LOVE sign greeting visitors at Percival’s Island—the finished project is a distinctively Lynchburg mural.

“Public art is a reflection or our society; it tells us where we have been, who we are, and where we may be going,” Jacinto says. “Art is the window to our culture and heritage.”

Arbusto echoes Jacinto’s excitement for promoting public art—especially along the 5th Street corridor.

“The fruits of our labor are now paying off,” Arbusto says of the revitalization occurring on 5th Street. “The whole block where we are [Madison to Clay Street] has been developed, where as six months ago, there was nothing.” He dreams of the neighborhood “being riddled with street art everywhere,” creating a street that’s a “nice place to live and enjoy visually” while also becoming a dining and shopping destination similar to historic Scott’s Addition in Richmond.

Fortunately, other business owners are already coming along on both ends of the corridor. At the northeast corner of 5th and Federal, a mural of a caffeinated coffee drinker faces the traffic circle, beckoning them to join at 5th St. Grind.

“It represents the spirit of the shop,” says barista Joshua Sosin of the coffee shop that opened in the fall of 2017. “It’s cheerful, colorful, quirky.” Completed by artist Austin Santos in late August, Sosin says it seems like the “perfect fit since the shop is very art-forward.”

Grey’s, a new eatery closer to Main Street, had a mural of local legend and former astronaut Leland Melvin commissioned for a large inside wall. The image is a modern take on one of his official portraits for NASA, which is also the cover of his book Chasing Space. The image went viral a few years ago due to the rare and endearing inclusion of Melvin’s two rescue dogs.

And, on the corner of 5th and Court, Elise and Adam Spontarelli are working to make art part of the culture at Vector Space, a nonprofit makerspace and community workshop they co-founded in 2016.

“We are excited about the future of 5th Street,” Elise says, noting the “tremendous growth” of the corridor thus far. “Public art lets the neighborhood and the community know that people care about the area [because] art is inviting and a sign of life.”

Vector Space has an outdoor piece by Bartertown Bobby Fuller on the wall facing Court Street and Adam did a piece on the adjacent outside wall. After renovating the second floor of the building, Elise says Jacinto and Nugent Koscielny are both working on interior pieces to bring “color and visual interest to the space.”

Jacinto says Vector Space “promotes an amalgamation of art, machinery, and robotics” which has led to him focusing on the expansion of his “Rollerbot world,” a creative endeavor that really kicked off during the “Art on Main” event in 2017. Now, Jacinto has plans to include underwater and outerspace elements as he continues to develop the Rollerbots.

Elise says the art is a result of collaborative effort similar to Arbusto’s mural; “we are pretty open to the [artist’s] vision,” she says. “As a community space, we want to reflect the members of our community.”

Another element Arbusto and Jacinto both mentioned, in addition to more murals, is the possibility of sculptures and statues, one of which is currently in the works for the 5th and Federal traffic circle.

“I can imagine 5th Street being on the ‘go to’ list for tourists, locals and visitors to see all of the culture here,” Arbusto said.


Mural Checklist

Start at the corner of 5th and Federal, facing NW towards Main Street
• 5th St. Grind / coffee drinker
• Daughters and Sons Pizza / Greetings from Lynchburg
• Grey’s / Leland Melvin portrait (inside)
• Vector Space / multiple murals both inside and out


Lynchburg Landmarks

Some of the icons in the Daughters and Sons Mural facing Madison Street include:

Vector Space
Blackwater Creek Bikeway
James River Geyser
Amazement Square
Community Market
LOVE sign
Point of Honor
Awareness Garden
Mama Crockett’s
Old City Cemetery
Joseph Nichols’ Tavern
Craddock Terry Hotel
Randolph College
The Blue Ridge Mountains
Doughboy Statue
Academy Center of the Arts
3 local high schools
5 local theatres




Artists Profile: Sarah Raessler November/December 2018

Title: Pastel Artist

Sarah, you’ve been creating with pastels since 2003. How did you first get involved with this art form?

I started taking a drawing class at the Lynchburg Art Club. After the second week, I switched to a pastels class because my teacher, Christine Rooney, said, “Drawing is not your thing; color is.”

What do you like the most about pastels?

Pastel chalks come in many colors, and they can be blended with each other [on the paper] (they are also very messy!). Pastels are made with pigments and fillers, and you want more pigment. Roché pastels (made in Paris since the 18th century) have a lot more pigment—and are more expensive. I use them for highlights.

 

What types of things inspire you to create a new piece?

I am inspired by going to museums and galleries to see works of art. Nature, especially clouds and flowers and animals, speak to me. And—I do not always see what others see!

Since appearing in Lynchburg Living in 2012, you’ve been very busy! Tell us about your trip to Paris.

The two months in Paris for my dad’s sabbatical leave were fun! I could paint in our atelier at the Cité des Artes, overlooking the Seine and Notre Dame. Paris museums are free for persons with a disability and one escort, so we could go to the Louvre and Musée d’Orsay many times. We also went to Giverny and saw Monet’s studio and home.

What other art adventures have you had?

After returning from Paris, I gave a few talks and then was invited to do a presentation for an in-service program on creativity for Method, a global design firm in London. This past summer we went on a back-country walking tour of the parts of Ghost Ranch where Georgia O’Keeffe painted. We saw the formations that she saw and could compare them with what she painted.

And you also showed some of your work at the Academy Center of the Arts earlier this year—your first gallery show. Congratulations! How did it feel?

Thank you for asking! Before the show I was nervous, but it was a great experience to see my paintings hung in that space.

Another big project was a published book of your artwork. Tell us about that and how it came together.

We had thought of doing a small Snapfish book of some of my paintings for my nephew and niece, but Nancy Marion from Blackwell Press suggested we do a longer and more professional book. We also included the story of my development. I wrote an essay; my parents wrote another essay. We hope the book might be of interest to other families who have children with disabilities.

What advice would you give to other aspiring artists?

Find a good teacher and a supportive class. Try whatever inspires you. It’s always fun to learn new techniques.

How can people get in touch with you?

Through my e-mail: sraessler@yahoo.com.

A book of Sarah’s work, As I See It, is available for purchase at Givens Books in Lynchburg.




Sparking Imaginations

An Impactful Program for Men and Women with Alzheimer’s at the Maier Museum of Art at Randolph College

WORDS & PHOTOS By Meridith De Avila Khan

Inside the Maier Museum of Art at Randolph College, Laura McManus leads a conversation with a small group of retirement-age men and women. They view the vibrant pop art, mixed media work of Korean artist Sang-ah Choi; McManus, the curator of education, guides the participants through the provocative artwork’s various themes.

After reviewing a few more pieces, they move to a table stocked with watercolor paints, paper and assorted potted plants, where they spend the final minutes of their time together painting images inspired by the art they’d just observed. Most of the participants, attending with a spouse, alternate between laughing about and complimenting each other’s artistic attempts.

The Maier hosts more than 6,000 visitors each year. This could be any of the hundreds of groups that come through their doors. Except for one crucial difference: some of these individuals have early stage Alzheimer’s.

They are a part of the Arts Fusion program—a joint offering by the local chapter of the Alzheimer’s Association and the Maier that’s inspired by a similar program launched in 2006 by the Museum of Modern Art in New York. According to the Alzheimer’s Association’s website, music and art can enrich the lives of people with Alzheimer’s by allowing self-expression and engagement, even after dementia has progressed.

Once a month (every second Thursday), the Maier welcomes men and women who are suffering from the disease, along with their caregivers, to attend a stimulating session that doesn’t presume that Alzheimer’s has affected their ability to critique art. McManus says they typically include three to four works in each session that are connected by a theme.

“The works of art serve as a springboard for conversation, reflection, imagination,” she says. “They freely share personal stories that a work of art reminds them of, like you would with a friend.”

As McManus explains, the group forms “a bond because they are all dealing with the impact of dementia”—especially during the second half of the session, where the participants create their own works of art. McManus says she considers the participants’ ages, skill levels and other factors when choosing each session’s art project. Projects are low pressure, require limited materials and only take a few steps to complete.

“The projects also allow for collaboration between the individual with dementia and their caregiver. They can be accomplished alone or with assistance, so that everyone can enjoy the activity regardless of prior experience,” she says.

Among the group laughing and painting potted plants at the Maier on that June day are Lynchburg residents Chris and Amy Heppner, who will celebrate their 25th wedding anniversary this fall, although they’ve known each other their whole lives.

When they were teenagers, Amy was friends with Chris’ older sister. One day, Chris says it was like he saw Amy for the first time, realizing how beautiful she looked. Their first date was shortly thereafter, and they’ve been inseparable ever since. After they settled down and got married, they welcomed their son Lynch in 1997. (Chris is a direct descendant of Charles Lynch, brother of Lynchburg’s founder John Lynch.)

A few years ago, Amy started becoming more forgetful. Still, like so many people with Alzheimer’s, it was easy to find an excuse. But the forgetfulness became more pronounced.

She had an MRI. Everything looked ok. They carried on.

Then, her memory problems became just a little worse, so they went back to the doctor. Finally, in June of 2017, they had an official Alzheimer’s diagnosis after a second MRI revealed lesions on Amy’s brain.

Chris points to a classic example of the disease’s effects with a story from earlier in the day. “We couldn’t find the Band-Aids this morning and I said I just bought a box and I don’t know what you did with them. I found them in the pantry. … That’s not where Band-Aids go, they go up in the closet in the bathroom. …She wouldn’t say ‘Silly me, I put them there’.” He pauses, then continues, “She would say, ‘Well, I don’t know, that’s where they go’.”

There are other little clues. During our interview, Chris asked Amy where their first date was. After a pause, he jumps in to give her prompts. (He took her to his hunting stand, an unusual first date, and Amy wore a long, stylish trench coat, expecting to be taken to a restaurant. Chris laughs about how she casually played it off as though she wore high fashion in the woods all the time.)

It’s the sort of quick-thinking cover that a partner gets used to as they adapt to their loved one’s early journey with Alzheimer’s, suddenly becoming the memory and reason, the mental compensation for their partners in moments like Chris described.

One thing they’ve realized in the past year is just how misunderstood the disease really is. They’ve had reactions from well-meaning individuals who assume Amy has become incapacitated (this couldn’t be farther from the truth). Or, worse, some people worry that it’s somehow contagious (it’s not).

The Heppners found Arts Fusion in the weeks before the official diagnosis when Chris was searching for local resources; they say the art is wonderful, but the companionship of others in the same situation is just as rewarding. According to 2018 statistics from the Alzheimer’s Association, 5.7 million people in the United States are living with Alzheimer’s. That’s why McManus is focused on increasing their reach into the Alzheimer’s community.

“I have been working with the Alzheimer’s Association and adult care centers to get the word out about this opportunity,” she says. “We want to keep the group size intimate (not more than 10 is comfortable), but would be interested in adding additional days if there is interest.”

As a teacher in the Randolph College Museum and Heritage Studies major, she may incorporate Arts Fusion into that curriculum and allow students to be involved.

“Last summer I had an intern who co-led several sessions, and the feedback was very positive,” she says.

For now, her focus is on continuing to look for those “aha” moments in her groups, which she defines as: “the moment when someone sees something in a work of art for the first time, or hears and sees another person’s interpretation that is compelling but not something they had considered.”

It’s those moments that make each session so worth it—and give couples like the Heppners a little hope.

“A connection between thought and memory, between thought and language (word), between image and idea. It shows active reasoning,” McManus says. “I know that the research shows engagement in the arts is beneficial for individuals with early onset dementia. But it is extremely gratifying and inspiring to actually see it happening in real time.”


Local Resources

Arts Fusion
Maier Museum of Art at Randolph College
Second Thursday of every month from
10 – 11 a.m.
Registration is required.
https://maiermuseum.org/education/arts-fusion/

Memory Café
Central Virginia Alliance for Community Living conference room
501 12th Street, Lynchburg

Last Tuesday
of every month
from 1 – 2 p.m.
There is plenty of parking, and snacks are provided.

Alzheimer’s Association, Central and Western Virginia Chapter
Lauren Deasy Blackshaw,
Family Services Manager
lblackshaw@alz.org
www.alz.org/cwva




Artists Profile: Erik Custer September/October 2018

Title: Painter and Photographer Age: 39

Many of our readers will probably recognize the name of your first art “teacher.”

People always think I’m joking when I say that I learned to paint by watching Bob Ross. But it’s true. I spent many Sunday afternoons watching him on PBS before I ever got my first paint set. And while I no longer paint stylistically like him, you can see many of his techniques in my work still.

What other types of art memories do you have from your childhood?

I grew up in Gretna, so there wasn’t a lot of art happening there, but my high school art teacher was a great influence. She would indulge my odd creations and encourage me to go further.

Another great memory was visiting the Mystic Art Fair in Connecticut. I have family there and we would visit each year. If the fair was happening at the same time, we’d wander the streets looking at hundreds of different artists’ work.

Then, you took your talents to Central Virginia Community College. What did you study there?

I earned an Associate’s Degree in Communication Design. This was right as everything was beginning to convert to digital, so we learned a little about the old way of doing things while getting an introduction to the new digital tools.

Where did life take you next?

After CVCC, I started working for Dan River in Brookneal where I specialized in creating the patterns that would be printed on fabric. Working for Dan River gave me the opportunity to learn much more about art and production. It also allowed me to teach myself new software like Photoshop and Illustrator.

In 2006, I started working at Parkland Direct as a Prepress Technician. Here I learned more about graphic design and how to work across a variety of software.

You have such a diverse portfolio of collections—they are so different!

I’ve never really been able to label what sort of artist I am, or want to be. I try to let the ideas and inspiration take me where they will and then find the best medium to convey those things. I may not always be successful, but I’d like to think that I’ve not become stagnant in my creativity.

Right now, you are focusing on your Canvas Collection, on display at Riverviews Artist’s Co-Op Gallery.

The paintings featured in June at the Co-Op Gallery were part of a series of landscapes and florals that I had begun. I’m continuing to work on the series as I’m really enjoying the process of creating them. But I’m also really surprised at how many people have responded to them.

There’s also a neat story behind your creation of the Time and Memory Collection.

The Time and Memory series was inspired by my girlfriend. She had told me about when she was a Marine in Iraq using coloring books to destress. So of course, I decided I wanted to make a coloring book for her. Something fun and personal. Unfortunately, as I started making the book my own ideas got the better of me and the coloring book took a backseat as the pieces in this series emerged.

Photography has also been a big part of your art through the years.

I studied black and white photography at CVCC and really enjoyed taking pictures. But it wasn’t until I purchased my first digital camera in 2005 that my love of photography really took off. Not having to deal with film allowed me to be much more experimental. You can see this in my series of photographs inspired by the song “The Passenger.” The effects you see in the photographs were done practically and the only digital alterations were for color.

How have you found a sense of community in the local art world?

Working a full-time job and balancing that with trying to create art make it hard to keep up with everything that is going on, but two years ago I joined an art journaling group. The group was founded by Lillian Brue and we meet each month. Hanging out with these ladies each month has given me the opportunity to connect with the art community. Where I am today is very much because of what I’ve learned from being in the group.

What types of things inspire you to create?

My inspiration can come from a conversation or just wandering around Lynchburg. The best example would be my current series of paintings.
I was working on a geometric piece that just wasn’t working. My girlfriend and I were at First Friday and talking about different styles and subjects.
She mentioned how much she enjoyed floral paintings. I realized I’d never done anything like that, so the next day I painted flowers over my failed painting. I enjoyed the process so much I kept going. And I’ll keep going until another conversation sparks a new idea.

Looking forward, what are your goals for your art and/or your art career?

My art goals are pretty simple: to just keep creating.

As for my career, I’ve always had the dream of being featured at the Academy or Riverviews.

My other goal would be to meet more people in the local art community and hopefully help them in the ways that the community has helped me.

How can readers get in touch with you or see your work?

They can find me on my website at epluscstudio.com. Or if they want to follow what I’m doing currently, my instagram is eplusc_studio. And I can always be contacted directly at custere.art@gmail.com

Photos by Ashlee Glen




City Streets & Country Roads Artisan Trail

“Weaving Adventure Through the City of Lynchburg & Amherst, Appomattox and Campbell Counties”

The lazy, hazy, crazy days of summer between camps and family vacations possess a certain charm, but the lack of structure can quickly become monotonous. If you want to add fun structure to your summer without having to do all the planning legwork yourself, consider utilizing the City Streets & Country Roads Artisan Trail, a newly-established network of local artisans, agri-artisans, art galleries, restaurants, lodging facilities, cultural sites, festivals, and museums—it encompasses Lynchburg as well as Amherst, Appomattox, and Campbell counties.

“An Artisan Trail is a self-guided and determined way of finding exciting and interesting places to visit in specific areas around the state,” says Kathy Johnson, Artisan Trail Coordinator
for the Artisan Center of Virginia.

Although the specific path and activities you choose are up to you, the Trail’s Management Team has created suggested itineraries to assist in planning your excursions (see pages 30-31).

Among the individuals and businesses already registered on the Trail is Gail Speidell Pottery in Amherst. “I was so glad to hear they had created a Trail our area,” she says.

Speidell, an Amherst native who has been a juried artisan with the Artisans Center of Virginia, has been a potter for over 20 years and enjoys creating both functional and decorative pieces. “I enjoy making pottery to be part of a meal, to enhance the food and be a part of family life,” she says. “In the last few years, I have also been making totems for the home and garden. It is freeing to make things purely for their beauty.”

She believes that the Trail will be successful for herself and other artists because many people are just as interested in artists’ processes as they are in their products. “I think people like to visit artisan studios to see where and how the art gets made,” she says.

Anne Novak, General Manager of The Art Box, which is also registered on the Trail, is excited to see how it impacts Downtown Lynchburg. “As people travel and visit the Trail, it’s sure to drive foot traffic downtown,” she says. “It’s such a lively and interesting place to be! Visitors will see how our city has grown and how it is changing, giving exposure to new restaurants and businesses, as well as those foundational to our downtown.”

The Art Box staff also relishes the opportunity to connect with like-minded individuals and entities. “Being on the Trail is an opportunity to associate with folks—in our own community and beyond—who make, appreciate, and value the same things we do,” Novak says.

The City Streets & Country Roads Artisan Trail began its journey in the fall of 2016. Lynchburg’s Office of Economic Development & Tourism (LOEDT) (formerly The Lynchburg Regional Convention & Visitors Bureau) contacted the Artisan Center of Virginia to inquire about setting up a Trail for Lynchburg, and the ACV suggested including the surrounding counties. City officials then identified participants to form a Management Team made up of regional leaders to identify and recruit artists.

Since the team’s first meeting on March 9, 2017, the Artisan Trail has garnered over 50 participants, and that number continues to grow steadily. Although interested parties needed to have signed up by June 30 to be included in the first production of the Trail’s printed brochure, enrollment will be ongoing for the life of the Trail. Interested individuals and organizations are encouraged to visit artisantrailnetwork.org to learn more about eligibility and enrollment.

Krista Boothby, marketing and public relations coordinator at the LOEDT, believes that the City Streets & Country Roads Artisan Trail will prove invaluable to both the participating members and the communities it serves. “The arts are an important economic driver in the region,” she says. “These small business entrepreneurs create handmade work that they can sell and earn a living doing something they love. It is this experience we want to promote to visitors, and until this Trail was formed, it was difficult to collectively market the artist/artisan community as a destination activity.”

Whether you are a Central Virginia native or a visitor to the area, the City Streets & Country Roads Artisan Trail will take the stress out of your summer planning and connect you with incredible artists, artisans, and organizations that you may have otherwise missed. “With this newly-created tool, our Trail tourism offices can now market to locals and travelers an authentic and well-rounded artisan experience,” says Boothby. “Visitors will be able to stay in a boutique lodging establishment, dine in a chef-run restaurant, enjoy the fruits of the agri-artisan’s labors, visit unique attractions, and take home a piece of Virginia-made art—
all in one visit.”

Visit the City Streets and Country Roads tab at artisantrailnetwork.org to learn more. Two sample travel itineraries are on the following pages.


Sample Itinerary:
One-Day Excursion

The evening before your excursion (6 – 8 p.m.): If you want your one-day excursion to be a full day of fun, consider spending the previous night at the Florence Elston Inn in Amherst. Located at the entrance of Sweet Briar College in the foothills of the Blue Ridge Mountains and boasting 38 beautiful, spacious rooms, this is the perfect launching place for a day trip.

Mid-morning (8 – 10 a.m.): After a complimentary Continental breakfast at the Inn, attend your prescheduled* appointment at Gail Speidell Pottery. Gail loves to share her passion for pottery, which is inspired by her own life experiences, with others.

Late morning (10 a.m. – 12 p.m.): Head to Lynchburg to visit the Lynchburg Museum atop Monument Terrace. The museum offers an in-depth look at the people and events that shaped the Central Virginia region.

Early afternoon (12 – 2 p.m.): Travel to Appomattox to eat lunch at The Babcock House, which boasts seasonal menus and Southern favorites made with the freshest ingredients.

Late afternoon (2 – 4 p.m.): While still in Appomattox, venture over to Cub Creek Studio, where studio founder and ceramics artist John Jessiman, along with other artists-in-residence, hone their skills and exhibit their work.

Early evening (4 – 6 p.m.): To conclude your journey, head to Brookneal to visit Patrick Henry’s Red Hill, the beautiful and vast last home and burial place of one of America’s founding fathers and Virginia’s first post-colonial Governor.


Sample Itinerary:
Weekend Excursion

FRIDAY

Early evening: Start your weekend excursion in downtown Lynchburg by checking in to the Craddock Terry Hotel, which boasts spacious rooms, an adorable canine greeter (Penny Loafer), and charming nods to the building’s former use as a shoe factory.

Evening: Unwind with an authentic Irish meal and a refreshing brew at Kegney Brothers Irish Pub. Look out at the James River and enjoy live music in this modern revival of the original Kegney Brothers, which was established in the 1800s.

SATURDAY

Early morning: Enjoy your complimentary breakfast (delivered in a vintage shoe box, of course) at the Craddock Terry Hotel.

Mid-morning: Head to Kelly Mattox Fine Art Studio for your prescheduled appointment. Kelly loves working with bright colors, and her work reflects her personality with its boldness, energy, and sense of excitement.

Late morning: The time for your next prescheduled appointment with mixed media artist Jill Jensen has arrived. Jill works with paint, original prints, and stitching to create one-of-a-kind pieces, and she also welcomes commissions.

Early afternoon: For lunch, drive back downtown to the Lynchburg Community Market. Choose from several amazing food vendors and browse the wares of art vendors as you wait.

Late afternoon: Take your lunch with you to the Old City Cemetery Museums & Arboretum and set up a picnic under one of the shade trees. Then walk around and take in the grandeur of the most visited attractions in Lynchburg.

Early evening: Head to the Maier Museum of Art on the campus of Randolph College. The Maier offers an incredible collection of American art and includes works by such artists as John Sloan, Georgia O’Keeffe, Robert Rauschenberg, and Jacob Lawrence.

Evening: Enjoy dinner at one of Lynchburg’s many fine dining establishments (see lynchburgvirginia.org/restaurants/fine-dining/ for some top-notch options) before heading back to the Craddock Terry Hotel.

SUNDAY

Early morning: Depart Lynchburg and head to Appomattox County to visit the American Civil War Museum, which boasts a comprehensive collection of artifacts and documents that detail events before, during, and after the Civil War.

Mid-morning: Head to Kat’s Pottery, where your prescheduled appointment will allow you to meet and admire the incredible handmade pottery of Kat Ferguson. Kat’s work is inspired by nature and can also be found at Baines Books & Coffee on Main Street in Appomattox.

Late morning: Your last stop is DeVault Vineyards, which is situated on 32 beautiful rolling acres in Concord. Visit the tasting room, request a tour, or time your visit with one of their many special events. The vineyard also boasts an Olympic-size indoor pool, basketball court, and children’s play area.

*Before visiting an artist in their studio, set up an appointment in advance.




Artists Profile: Lillian Brue July/August 2018

Age: 50… (mumble) | Title: Design Whisperer

How early in your life did you discover a love for art?
In second grade, I was drawing on my report card cover and the teacher said, “You are an artist!” It resonated with me. Every year after that it seemed I was the class artist. My goals were to be a fashion designer and the President of the United States. At least everyone would look good! Ha!

But you sort of strayed from it a little bit?
I was in a creative writing class in junior high and that stirred my imagination, giving me a love for writing. In high school, I took a journalism class and eventually became the editor of the high school paper. Naturally, I wanted to be a journalist and while on a college tour of Eastern New Mexico University, I saw the PBS station and knew right then that is what I wanted to do. I began my broadcasting career in college at 17 years old, spending every waking hour and weekends hanging out at the TV station and learning about all the equipment.

It didn’t take long for art to find you again, though—even in the journalism field.
While I was majoring in broadcasting, I minored in art. While I was working at the PBS station as a student, the art director left and I asked to fill that position. I was directing a television show at the same time. It was the best of two loves.

You spent the bulk of your career in Florida. How did you end up there?
After I graduated, family matters brought us to Orlando. I got a job right away at WOFL-FOX35 working in master control. In 1983, broadcast engineering was largely male dominated, so I was the only woman in the department for four years. When the station got a new graphics system, I went for the position as the first on-air electronic graphic designer… and got it! It was so new and cutting edge. I had the opportunity to travel and learn new ways to bring moving graphics to the small screen. I was one of the first women in Orlando to be in an on-air designer position. After 13 years at FOX, I applied for the Art Director position at the CBS station in Orlando and worked at WKMG-TV6 for the next 13 years. I loved working in broadcasting as an artist. So much creativity and learning on the job with my crew.

While you were caught up in graphic design at work, did you focus on any other types of art at home?
I really had a busy life with a demanding career and two sons involved with school and sports. I was always quick sketching at work to show how animations would move or how the anchors would stand next to graphics, so that still kept me involved with the tactile experience of pen to paper. It wasn’t until my boys got closer to graduating high school when I started to paint at home. I had to design very tightly for television and I wanted to loosen up and have fun and get messy. I was slapping paint on the canvas and getting back to my roots. I joined a group of artists in Casselberry where we exchanged themed art journals and studied “The Artist’s Way” by Julia Cameron. Creating in those sketchbooks inspired me and taught me how to work with different mediums. I created a sketchbook of caricatures of my family saying wacky things for the Brooklyn Library and submitted it for their permanent collection.

Where did your career take you next?
After my sons graduated, my husband and I moved to Steubenville, Ohio. I had never been to such an industrial area in my entire life. My eyes drooled with all the machinery and the architecture in the area. Very exciting. As it turns out, the newspaper was looking for a graphic designer and I got the job! I believe in synchronicity and the publisher came in one day holding up a caricature map of a city and asked, “Who can illustrate something like this?” After working on those sketchbooks, I had honed my skills and I raised my hand. I just finished my fifth caricature map with the Fun Map of Lynchburg. It is now a 1000-piece puzzle.

We love the Lynchburg puzzle! How long did it take to complete?
It took me three months to draw everything. When I am creating a piece of art, I first see it in my mind. I would go to sleep and dream of drawing and placing everything.

How did you decide whom to feature?
With a timeframe in mind, I went to everyone I could get to in Lynchburg and sold spots on the map. Some of the people I included because I needed folks to model for me. My friend’s children, my art friends and, of course, my husband is fishing in the front.

What goes in to designing and sketching each building?
I sketch out the whole lay of the land on paper. Where the river goes, where the mountains will be, where the different areas of town will be located. I take pictures of the buildings and the people so I see their features. I also use Google and Bing maps to get placement of buildings in relation to each other. I create each drawing in its own file and drop it into the big map so I can move it around if needed. The main map gets to be about three gigs. I’ve pushed it to four gigs, but Photoshop starts balking.

While the caricature maps are your “bread and butter,” you love experimenting with other kinds of art. What else keeps you busy?
I love pastels, acrylics, colored pencils and encaustic wax. Encaustic is the oldest form of painting. Beeswax and resin are heated to a certain temperature and pure pigment is then added. “Encaustics” originates from the Greek word enkaustikos. I started painting with encaustics on the back of cigar boxes. I like being outside painting nature and street scenes with pastels. I am a consummate learner and recently started painting with acrylics.

And you’ve enjoyed getting to know other artists in town in a very creative way.
I started an altered art journal group here in Lynchburg because I need the camaraderie of other artists. We meet once a month and swap journals and teach each other our different methods of painting with all kinds of mediums and tools. My current journal’s theme is “naked.” This group is so creative and I love the surprise of what everyone has created when we meet. So fun.

As an artist, what inspires you to paint or create?
I take my camera everywhere I go and take pictures of whatever inspires me. Tight shots of mushrooms, bugs and flowers are so wonderful. I like it when a little bug sneaks into my photo and I don’t see it until I download my photos into my computer. Whenever my husband and I travel, I get some interesting phone photos as I take pictures of whatever we’re passing. It’s usually a “look at that!” as we’re zooming by. I start thinking about my photos at night when I’m drifting off to sleep and what I can create from them. I’ve put my street scenes on earrings, in paintings and on cigar boxes. Inspiration comes from taking a walk in the neighborhood and seeing the asphalt cracks after the rain. Learning new techniques with different mediums makes me question how I can use them in my next journal entry or painting. I see faces everywhere and humor always inspires me.

What advice do you have for other aspiring artists?
Learn the basics of your craft. Know what your paint or medium does and how to use it. Ask questions. Make friends with lots of other artists. Take classes. Paint or draw every day. Go to sleep with a design challenge and then dream of the solution. Keep files of inspiration. Watch videos. Go to movies. Listen to music and podcasts. Read. Be curious and open. Push past your fear. Don’t judge.

What do you like best about being an artist in the Hill City?
I find inspiration in the natural beauty that surrounds us. I enjoy the company of some very smart, talented creative folks and we learn from one another. There are some exciting art and creative experiences offered here in Lynchburg and more places are opening up for local artists to share their work with the public.

How can readers get in touch with you?
My website is www.lillianbrue.com. I am also on Facebook, Instagram and Twitter as Lillian Brue art.