This summer, Ellee Evans, an artist who is from Lynchburg but currently living in Atlanta, set out to alter perception and bend reality. With paintbrush in-hand, she stood in the middle of Art Alley in downtown Lynchburg for four hours expertly mixing color and creating contrast. But rather than painting something stationary, Evans relied on a patient model to act as her canvas.

Artist Ellee Evans painting model Kiersten May

“I have a deep desire for making things magical just from illusion,” Evans explained. “I think it started from my scenic painting training my senior year of college. I learned how to make backdrops for plays look three dimensional and it inspired me to do the reverse with body paint. I want to turn the 3D image we see in life into a 2D illusion. It’s magical and so incredibly fulfilling once I step back and see the final product.”

Using Mehron, a water-based body paint, Evans was able to ensure that a thin layer of breathable, weightless paint could be applied to the skin and clothes to act as the base before applying contour and details. But before Evans ever puts brush to body, she first puts pen to paper.

“Prepping for a paint session starts with a drawing. I draw out a rough sketch using the dimension of the model, and then I play around with color palettes and designs,” she said. “Then, when I have a vision, I will share it with the client or friend that I am painting. I wash and cleanse all of my brushes and palettes, and then I pack up my back with all of my essentials and meet with the client to create the magic!”

For Evans, painting a person versus a canvas is about the connection and the process. Evans enjoys being able to talk to someone while she paints and allows herself to get inspired in the moment to add more details to her living painting while she works. But Evans also recognizes that there can be something deeper at play when you spend that much time working closely with another person.

“It’s body positivity,” she said. “I love making someone feel like a beautiful piece of artwork—even though every human already is one, we just often are hard on ourselves and don’t see it! I have a lot of self-image issues and whenever I paint myself, I feel so valuable and special and important. It means the world to me to be able to share that feeling with other humans.”

Evans has been passionate and curious about this type of live, body art since she was a child. Her mom would read Purple, Green and Yellow by Robert Munsch to her, which recounts a story of a marker-obsessed girl who runs out of paper and begins drawing on herself instead.

“Throughout high school, I would use sharpies and eye liner to draw tattoos on myself,” Evans remembered. “Eventually, I started playing around with makeup and cosplays. I would want to buy a costume, but then something would just click in me, and I would just say, ‘I could just paint it on me, right?’ It all started trickling off into more and more creative ways to use paint and play with illusions.”

Although Evans moved away from Lynchburg a little over a year ago, she still enjoys returning for art projects or to see how much the city has changed.

“This last time coming back to Lynchburg, I found myself taking so many photos downtown,” she recounted. “The art scene has made a huge difference in the downtown atmosphere. It makes me feel welcome and appreciated as an artist. Like, ‘Hello, we welcome art here.’”

Evans plans to return to Lynchburg often, and is available for commissions via her website or on Instagram.

Photos by Enrique with Kanded Photo

Local artist Sara Ernst is a renaissance woman in every sense of the term. A photographer, published author, illustrator, and musician, Ernst has been creating in one way or another since she was 15 years old.

“Photography came first!” she said. “I started doing wedding photography when I was just 15 years old. Children and families have always been my passion, though, and I’ve been beyond blessed to be an award-winning children’s photographer here in the area for over 20 years! I’ve watched the newborns grow and graduate before my eyes and my lens…such a humbling experience. I’ve even had the honor of one of my photographs being in the 2020 May edition of British Vogue!”

Ernst’s love of children and families created a natural segue for her to hone her creativity even further and captivate an audience that she already enjoyed working with. Founding her business Wild Pickle Press, Ernst creates stories and songs that help the youngest readers navigate life.

“Adults can sometimes have a very linear way of looking at things…thinking of songs or books as simply ‘catchy’, ‘silly’, ‘boring’, etc.,” she said. “Children are eager to soak up whatever is provided to them, and new things tend to spark new interests.”

Ernst’s work breathes life into that curiosity—fostering a sense of awe for the natural world and answering the inevitable ‘whys’ that often come from children when they’re discovering something new.

“For example, when a child learns what an ootheca is through my music, they are so eager to tell me about one they found the next time they see me. They have even brought them to concerts to show me! Wondering what an ootheca is? Go listen to my song!” she laughed. “I have worked with children in some way, shape, or form since I was literally a child myself, so interacting with them comes very naturally to me. I also know that music is a powerful learning tool and children need as much positive music as we can give them. Knowing that I’m giving them something good through my words is rewarding.”

Ernst wrote her first book, Dragons Really Do Love Tea in 2017. With no intention to ever sell copies outside of the supportive friend or family member, Ernst found herself at local bookstore Givens Books, who expressed interest in selling it. Now, she has published four books, all of which are available at Givens and on Amazon.

“My fourth book is the one I consider the most crucial,” she explained. “It started with my song Shout No, which I wrote to help teach children as young as two what a tricky situation might look like—whether from a stranger, friend, or, sadly, family member. It helps teach them how they can react, what trust means, and the importance of listening to their feelings. I really wanted something for visual learners and early readers as well, though, so I created a book from the song called Shout NO! A Child’s Rhyme About Tricky People…And What To Do. This book is now in Germany, Japan, France, the United Kingdom, Canada, and across the United States.”

This fourth and important children’s book is being used in foster programs and is accessible via Little Free Libraries and school libraries. In 2021, it won both the Purple Dragonfly Book Award and The Story Monsters Approved Book Award, and is available to read for free on the Wild Pickle Press website. The song is also free to download via the website.

“I just want this crucial message spread to children,” Ernst furthered. “If hearing the song or reading the book saves a child from a potentially dangerous situation, it’s all worth it!”

“This book has armed my kids with knowledge and confidence,” one parent said.

Ernst’s work has received even more recognition in recent months—this time, for a jingle she wrote for the California Strawberries Commission.

From April to May of this year, the California Strawberries Commission opened a contest for artists across the country to submit a written and recorded 45-second jingle for the group to adopt for future marketing and outreach efforts.

“The contest was promoted on Instagram, and it happened to show up in my feed,” she explained. “When I read about the specific things the jingle needed for the entry, I immediately felt inspired, grabbed my ukulele, wrote the jingle in about an hour, and submitted it that day. I didn’t overthink it; I just wrote what I felt immediately about it. I genuinely had fun writing it and felt happy when I played it. Those were two things I knew couldn’t be changed even if I didn’t win!”

Out of countless submissions, Ernst’s melodic jingle was selected as the winner.

“Anytime someone sees something or hears something in my work that they love, it’s truly rewarding,” Ernst said. “Winning [the contest]meant that someone (really, a bunch of someones) other than myself found joy in it…and that’s a wonderful feeling! While I couldn’t say for certain exactly how or where California Strawberries will use the jingle, it is the first jingle to represent their company and they can use it however they see fit…whether it’s through television, radio, social media, in-person events, etc. If you hear it somewhere, let me know!”

Whether Ernst is writing books, helping kids navigate tricky situations with easy to memorize songs, or creating award-winning jingles, her message is always consistent: It’s about finding joy, feeling love, and having fun.

“I want kids to remember that no one has the right to try to make them do something that is wrong or makes them feel uncomfortable. That they are strong, brave, kind, and smart. That nature is a whole world of creatures and life just waiting for them to explore. That there is no one quite like them. And that feelings are like friends trying to tell them something for a reason.”

Parents and young readers looking to connect with Ernst can find her on her website, www.wildpicklepress.com, or on Facebook and Instagram @wildpicklepress.

Raleigh artist, Chris Jones, finds beauty and inspiration in the Hill City

In the early 19th century, French painter Pierre-Henri de Valenciennes wrote a treatise entitled Reflections and Advice to a Student on Painting, Particularly on Landscape where he encouraged fellow artists to paint “en plein air”, or to paint landscapes while in the landscape. The act of immersing oneself in the elements, and painting the lines, light, and contrast exactly as they were rather than exactly as memory served, became the backbone of French landscape painting transforming from minor genre to primary art form as the 19th century progressed.

Today, artists around the globe still choose to paint en plein air—opting for mobile canvases and ever-changing environments as a way to keep their perspectives fresh and inspired. Chris Jones, a Raleigh-based artist, is one of them.

A renaissance man of sorts, Jones has always been a creator.

“When I was 8 or 9 years old, there was a guy on TV named Jon Gnagy [host of the TV series You Are an Artist and Learn to Draw],” he explained. “He would draw something and show how a shadow might follow the contour of the land. It was all black and white TV back then, but he was drawing with charcoal so it didn’t matter. I ordered his book, which was on sale, and I devoured it. I drew everything in it and learned a lot about composition and perspective.”

Jones continued to pursue art through adolescence and into high school, when he became interested in photography, architecture, and design. After graduating high school, he began pursuing a degree in architecture and design from NC State University’s College of Design while supplying photography to local ad agencies.

“When I got to College, though, I realized it was design and art that I wanted, rather than architecture,” he remembered. “The closest art school was in Chapel Hill, so I took a semester there. It was a young program at the time, so I went on to look at Baltimore College of Art and California Institute of Art. Somewhere along the way, I got sidetracked a bit.”

At the time, Jones was a drummer in a band—a passion that started when he was six years old and still continues to this day.

“I ended up recording two albums with a band named Glass Moon at Electric Lady Studios and then toured for two years,” he said. “We had recorded in the West Village of New York, and I loved the city, so I ended up moving to New York after the tour was over. I left design school and decided to pursue photography full-time instead.”

Within six months in New York, Jones was getting work as a location photographer—and that work continued for the next 25 or so years.

“When I wasn’t traveling on assignment, I would hang out with artists and friends, and I would draw or paint on and off throughout those years. After my wife and I raised our children, we retired and moved to the west coast. I moved back to Raleigh in 2019, and when COVID hit, I put my camera down, picked up a paintbrush again, and started painting everyday. Now I have a stack of paintings that I don’t know what to do with,” he laughed.

In a journey that may seem all too familiar to artists—one where passions are pursued and given the space to transform—Jones’s creative life has been a whimsical dance between music, photography, and painting. Each medium has offered a unique chance to view life in just a slightly different way.

“When COVID hit, there was this existential fear that we all had of, ‘What can I touch? Am I going to die? How many years do I have left to do what I’m doing?’” he explained. “I had already done photography and I had played drums all my life. I wanted to do painting and fine art. That was the third leg of my desires as a child, and COVID allowed me to explore it because I was at home.”

Now, Jones has been painting almost daily for over two years. He leverages his early love for architecture and design, and explores composition, light, shadows, and intensity of colors in architectural spaces in and around his home base of Raleigh.

“Raleigh is a very happening place that’s growing very fast,” he said. “Part of my job as an artist is to document that. I like drawing and painting buildings. Because of the architectural influence I had as a kid, I love seeing how Raleigh is growing and trying to paint that.”

But Jones’s exploration of architectural beauty and growing cities doesn’t stop in Raleigh. Jones recently traveled to Lynchburg and found inspiration.

“When I drove to Lynchburg, I drove down Grace Street by mistake,” Jones explained. “As I drove down Grace Street, I immediately saw two scenes that begged to be painted—the first was the historic Fire Station No. 2 building and the second was a gorgeous brick building where you could see where the facade had been at one point. When I have that instant strike, it says to me, ‘Let’s see if I can paint it.’ The same happened on Church Street. I could have easily painted there for two weeks.”

With his canvas and paint tools in tow, Jones stopped and painted the two Grace Street buildings en plein air.

“I was struck by [the Fire Station No. 2 building] because of the way the light hit it, plus it was beautifully designed in the first place,” Jones recounted. “I had this fantastic feeling of having been there in the day when it was being used, and seeing fire trucks come out of the door.”

Jones spent an afternoon getting the architectural lines and sunlight reflecting off the fire station just right before returning back home to Raleigh, but not before Lynchburg had a chance to leave an impression on him.

“Lynchburg is going through a renaissance of sorts, it seems,” he said. “I loved to see all of the hip looking youngsters walking around. If I didn’t love living in Raleigh, I’d be hard pressed not to want to move to Lynchburg.”

To see more of Chris Jones’s art, visit his portfolio at www.chrisjonespaints.com and find him on Instagram at @chrisjonespaints. He is currently accepting commissions, and his Lynchburg paintings are available for purchase.

A Lynchburg Midcentury Time Capsule Meets Its Perfect Match

Is it possible that sometimes a house chooses its owners?

Much like a rare antique sitting boxed up for decades in an attic, or a valuable painting relegated to the back rack at a thrift store, it waits for just the right old soul who will lift it up with a sense of reverence and say, “There you are.” It seems an impossible idea given the recent real estate market, but when you hear the kismet story of Hannah Poucher and Grant Kittrell, it may lead you to wonder if maybe, just maybe, their house chose them.

The Discovery
“We knew the second we looked through the windows that we wanted to live here forever,” Hannah, now 32, said of their love-at-first-home-sighting experience.

It was August 2019, and she and Grant, now 30, were making plans for a wedding and their future together, when something akin to Zillow lightning struck. A little listing with just five vague pictures popped up—a circa 1954 midcentury modern in the middle of Lynchburg. Within the hour, the couple found themselves peering through the windows, unable to believe their own eyes. It was meant for them, they knew it, but they needed to move fast.

“We weren’t pre-qualified, we had never looked at any houses before, we had to Google after we saw this place—’how to get a mortgage’—we didn’t know anything!” Hannah, a military recruiter for Liberty University, said. “But we knew if we didn’t jump at this, we wouldn’t get another shot at something like this in town.”
A bidding war ensued, but the home seemed to intuitively know who it wanted as its next caretaker. The couple closed in November 2019 and made a defining decision in honor of their new-old home.

“We wanted to live in the space for at least a year before doing anything radical,” Hannah explained. “We wanted to understand what it was like to be here as people within a space where it was designed to work like this. So, we decided no big changes for the first year.”

An Intentional Interior
It turns out, there was much the home wanted to teach them. Grant and Hannah took pleasure in learning about its history and thoughtful layout, taking note of each delightful detail, like how the abundant natural light shifted across the open-beamed ceiling throughout the day.

“We both, perhaps in different ways, came to this space with appreciation for art and design,” Grant, a writer, illustrator, and musician who works at Randolph College, said. “The midcentury modern style is very intentional and leans in the direction of sculptural, so there’s not a day that we don’t look around and say, ‘Hey look at that! Isn’t that really amazing?’ So, we are living in this space that we see as a piece of art, and really it is.”

Within that first learning year, they came to understand the unique reason for the way things were designed. Like the greater abundance of windows on one side of the house to allow for passive solar heat. Or the fact that the floors, which look like stone, are in fact stamped concrete designed to hold thermal mass, making what should be a cold underfooting somehow warm and earthy.

The biggest discovery, however, came in the form of a large manila folder filled with the home’s blueprints, original building materials, past pictures, and a booklet of original paint colors from The Frank Lloyd Wright Sierra Sunset Collection.

“When we found that folder, with the Frank Lloyd Wright paint palette, we realized that there was incredible intention behind it,” Hannah said. “So, for example, this color isn’t black, this is the Midnight color from that collection that is part of a larger palette. It was already here. We only painted the kitchen cabinets.”

Furnishings with Soul
While their commitment not to change the home’s interior held strong after moving in, it did need some furnishings. Some true-to-the-era furnishings.

They dove in with both feet and hands.

“Pretty quickly, Hannah became a master of the Facebook Marketplace,” Grant laughed. “She would stay up late at night looking for furniture. So as soon as I got off work, we would take off and go to places we had never seen before, out in the countryside, and pick up an old piece of furniture that someone maybe didn’t really know what they had.”

The hunt for pieces soon evolved into restoration of those finds as needed. Grant and Hannah became quick students of the specific approach to refinishing midcentury pieces.

“We aren’t talking about just sanding and staining, you’re talking about burning through wood veneer if you mess it up and how things aren’t stained, they are toned and sealed and lacquered,” Hannah said.

“I think the more work we put into a piece, the more we favor it.”

Her current favorite piece? A hutch from Lane Furniture, whose factory was once headquartered in Altavista. They discovered the piece in Rustburg, and it is now situated proudly in the area that opens from the kitchen into the dining area.

“We got it on Facebook Marketplace and the seller’s mother had bought it originally from Lane. So it’s a Virginia piece and the time period is right,” she recalled.

What you won’t find a lot of on the home’s ever-evolving furniture front are many new items.

Not because they are purists, Hannah explained, but because of what’s available on Marketplace, what’s within their budget, and what they can restore back to life now and perhaps replace later.

“I can probably count on one hand the number of new things that are in this house,” she said. “And while sustainability might not be the first thing we think about, it’s definitely a driving force. I think in terms of a level of purism, that’s what we are working towards.

It feels like such a perfect space, and we want to honor it with things from that time period.”

An Apartment Evolution
Of course, as with most self-imposed rules, there is almost always an exception. For Hannah and Grant’s “no changing the house for a year” rule, that exception came in the form of an efficiency apartment just across the home’s attached breezeway, where they cut their teeth on the basics of home renovation.

“We focused a lot of our initial energy there because it was a smaller space; we weren’t as overwhelmed and we figured we could learn in there and not have to live in it if we made any mistakes,” Hannah said.

While the essential layout existed when the couple bought it, the apartment needed some finishing work. They took to painting the kitchen cabinets the same green as the main home’s kitchen, updated the floors with a light luxury vinyl tile they laid themselves, and furnished the small bedroom, kitchen, and bath with interesting finds, such as a 1965 Sears Roebuck & Co. bar sourced in Roanoke and a white 1930s stove from Farmville. While not decade-specific to the home, Grant said, “when you bring something this old from the 30s, you’re bringing a long history into this space and the possibilities of whatever life it lived before.”

The renovations came with inherent lessons for the couple, and they reflect now that it better prepared them for future renovation jobs still ahead, like their dream of expanding the home’s main kitchen.

“We have learned to work with each other a little better and be patient with each other in different ways we didn’t know at that point,” Grant said. “Coming home each day and laying flooring every day…we learned a lot!”

From the Inside Out
Much is to be made of the home’s interior, and for good reason, but the property’s grounds are stunning in their own right. In fact, it is the marriage of the two, one spilling by design into the other, that creates a zen-like cohesion with nature from nearly every vantage point.

“We both love and appreciate a lush, green space and this has a lot of bamboo, a big maple, and some really intentional plant life,” Hannah said. “So when you’re looking out these windows, the lines are blurred between outside and inside.

It feels like a really natural space and really a sacred space almost.”

The pair have worked diligently to make conscious updates to the home’s exterior, including retrimming the formerly gray windows to a crisp black, something akin to adding eyeliner to an already lovely face. They cut back layers of bamboo and, as a reward, have witnessed more wildlife at play, from a family of foxes to finches taking up residence in one of the many birdhouses Grant made to a shy resident doe the couple affectionately calls “Jean.”

Most warmer nights of the year, you will find Hannah and Grant on their back patio area, nestled in wicker egg chairs, beverage in hand, dreaming into the future about their vision for the space. Their ultimate hope is to continue to collaborate with their cherished home in order to share it with others—an ever-welcoming, one-of-a-kind retreat.

“Mixing the inside and outside is always a goal,” Grant said. “Having a nature trail on the property is a dream, or hosting yoga or meditation classes here, maybe along with some creative writing workshops.

I would also love to make this place more sustainable, perhaps with solar power.”

It is little wonder that whatever the pair chooses to do next will be with great planning and purpose for the home that somehow, some way, chose them. Three years into their adventure, they still wake every morning with a wide-eyed sense of awe for their surroundings.

“I think, ‘How is this even a possibility? How could this even possibly be our home?’” Hannah smiled. “There is a lingering sense of wonder and excitement every day that we are in this space.”

Follow Along
Want to follow along with the home’s furnishing adventures and projects?

Check out Hannah and Grant’s Instagram page dedicated to the home @clerestorymod. “Clerestory” is the word for windows that are above normal ceiling height
and project into the roofline, which their home boasts in abundance.

What’s better than art that stays with you wherever you go?

Tattoos have been around for thousands upon thousands of years—since around 8000 B.C.! To pay tribute to an ancient art form that is still widely loved today, we talked with a handful of Lynchburg’s tattoo artists to hear what they have to say about their favorite tattoo styles and why you should consider one or more of those styles for your next (or first!) tattoo.

Artist: Will Hunter, Owner of Hill City Tattoo
STUDIO: Hill City Tattoo
Favorite Style: Neo-traditional/new school style
What Will has to say about this style: “I enjoy doing tattoos in a neo-traditional/new school style. The thick lines and bright colors are just fun. As old school artists say, ‘Bold will hold!’”
To make an appointment: (434) 237-5037

Artist: Jonathan Schultz
STUDIO: Caspian Tattoo
Favorite Style: Neo-traditional
What Jonathan has to say about this style: “I prefer Neo-Traditional designs because they are bright and bold with high contrast. They age well and are fun to look at. If you can tell what it is from across the room, then you can tell what it is for the rest of your life.”
To view Jonathan’s portfolio: Instagram: @jonnschultz
To make an appointment: JsTattooer@gmail.com

Artist: Hannah Burnside
STUDIO: Caspian Tattoo
Favorite Style: Black and gray illustrative
What Hannah has to say about this style: “I love having creativity with the design and doing all the little details. I gravitate toward bold outlines and high contrast. I enjoy tattooing botanicals and traditional inspired designs in this style.”
To make an appointment: (434) 237-1900

Artist: Andrew Montgomery
STUDIO: Caspian Tattoo
What Andrew has to say about tattooing: “Tattooing is a unique art form that allows an individual to be marked for a lifetime. Choosing one style from an artform that’s as ancient as humanity is difficult. What I enjoy about tattooing is the bond that can be created between an artist and client when creating a permanent piece of art.”
To make an appointment: (434) 237-1900

Grief Work AND the Art of Intention

Potter Bosco Bae blends emotion and clay

Imagine having the opportunity to grab ahold of your grief—to shape it, swipe it away, and turn it into something durable and beautiful. Potter Bosco Bae’s most recent series, called Grief Work, is exploring the different forms that grief and healing can take.

“A lot of my work nowadays is trying to capture grief and work through the myriad of emotions involved with love and loss. The work can get pretty dark, but I try to remain true to the idea that there is meaning and beauty within struggle, within hardships, and imperfection,” Bae explained.

While the acceptance and celebration of imperfection is something that Bae, a Ph.D. and professor of Religion at University of Lynchburg, has been exploring artistically for years, the expression of that has shifted since the passing of his brother last year. Bae takes inspiration from the moon jar, which is a Korean form in ceramics and traditionally combines two symmetrical bowls to create one large vessel. While the two bowls individually are perfect, they come together to create an asymmetrical, imperfect union. Traditional moon jars feature a white glaze and a very thin base, which make the vessel look like it’s floating—like a moon. “It’s minimalistic yet sophisticated in its evocation of a calm and serene ideal,” said Bae.

But he takes the form a step further.

“The moon jar, in its traditional form, is romantic, normative, ideal. My work aims to be a bit more descriptive, flawed, messy—to allow suffering to speak and find expression,” he said. “How does a form retain, embody, or convey lament?”

One of the first pieces that Bae created in his Grief Work series began with the moon jar form. Using his hands, Bae tore a hole through one side of the vessel to exemplify a piece of him that is now gone.

“After that part of the vessel was ripped out, I went to the other side and started taking pieces out to patch the hole.

When that patch was mended, of course, another hole emerged on the other side. I then started digging into the bottom and scraping out any clay I could use to patch up the side that was given up to mend the first hole” Bae said. “So, in this particular piece, you’ll see where I’ve scraped from the bottom.”

In another piece from the Grief Work series, Bae began with a moon jar, cut it apart, and reassembled it.

“After deconstructing the piece and breaking it down, there was an active attempt to try and put the pieces back together—to go back and recreate what it was before breaking down—kind of like drawing somebody from memory,” he explained. “But during that process it changed and it was clear that the reconstruction wasn’t going to be the same. The vessel was transformed into something else with only traces, shadows, or memories of what it was before.”

Metaphorically, the piece showed just how different a person can be after grief, trauma, or hardship.

“All the pieces in this series begin with the moon jar form, thrown as a singular piece, as opposed to combining two.

The piece is then altered, stressed, and it endures—sometimes it doesn’t—and accepts the distortions, rips, and unanticipated irregularities that emerge from the process. I think a lot of the uncertainties and unintended consequences from the intentional moves and gestures I put into the piece make it interesting, perhaps, even difficult, or uncomfortable to look at,” Bae said. “Grieving is an uncomfortable process in which bracketed realities can intersect and break into the forefront of our consciousness at any given moment. Grappling with difficult truths is a process of reconciling with a dissonance that jars against tacit presuppositions about ideals and expectations, whether we acknowledge them or not. Sometimes, words are insufficient and talking about it isn’t always the best way to express ourselves. Being intentional through nonverbal forms of expression can be just as, if not more, relevant in the healing process.”

This level of intention—of dissecting an emotion or experience—is what encapsulates Bae as an artist. Whether he is throwing teapots or mugs with perfect, ergonomic form, or exploring just how beautifully imperfect a piece can be, Bae reverently approaches each piece and accepts it exactly the way it is.

Nina Simone once said, “It’s an artist’s duty to reflect the times,” which is a charge that Bae has fervently accepted. While his most recent body of work reflects his current experience of grief and healing, the journey isn’t over and his art will surely evolve again.

One thing is certain, however—it will be beautiful.

To connect with Bosco Bae, find him on Instagram at @potsbosco.

---

Photos by Ashlee Glenn

Curating art for your home is a big investment, and a lifelong journey. The first step in that journey is finding an art style that resonates with you. That art style will ultimately set the stage for the artists that you gravitate toward, the mediums that you prefer, and the overall tone that each room in your home will have.

But how do you determine which art style you love when there are so many talented artists out there? It starts with spending time with art before ever making the first purchase.

The Different Types of Art Styles
Walk into any art gallery or art museum and you’ll see myriad art styles. An expert would be able to immediately note the nuances in brush strokes, the relevancy of the time period, or the backstory of the art that makes it so powerful. But for those of us who simply want to curate an aesthetically pleasing and uniquely styled home, here are the primary art styles you can focus on.

Abstract Art
Abstract art is an art style in which an artist uses shapes, colors, and textures to create an image that’s not based on reality. Abstract art can take the form of a painting, sculpture, photography, design, or any other art form that doesn’t accurately represent a subject or object.

One of the most unique aspects of abstract art is that it’s always open to interpretation. A viewer doesn’t always immediately know what the piece is about—it is abstract after all—but over time, certain emotional or intellectual qualities can be seen in the piece that can make it uniquely special to the viewer.

Contemporary Art
In short, contemporary art is art that’s made today by living artists. Because of that broad sweeping definition, it’s an art style that is ever-evolving and often reflects the complex issues that shape our diverse and rapidly changing world.

While the art world is still debating what eras technically define the contemporary art style, most can agree that the starting point is the late 1960s or early 1970s.

Within the contemporary art style, more niche movements can be found. Pop art, photo realism, conceptualism, minimalism, and street art are all styles that can be explored if you want your home’s art style to make a statement.

Fine Art
Fine art is artwork that has been created for the sole purpose of being appreciated for its beauty and intellectual or emotional influence, rather than its function. Of course, with art being so subjective, what distinguishes something as “fine art” can be left to the interpretation of the viewer.

Within the fine art style, painting, sculpture, and photography can all be explored for your home. And while there are countless fine artists across different mediums and centuries, a few examples of visual fine artists are Rembrandt, Matisse, Van Gogh, Monet, and Degas.

Determining Your Home’s Art Style
Your goal is to create a stylish and cohesive home, so it’s important to choose not only an art style that resonates with you, but also to find an art style that accents your existing home furnishings.

When you walk into an art gallery or store, have the space you’re hoping to find art for in mind. Maybe even have a photo or two on your phone to use as a reference. Know what the dimensions of the wall are, and the existing color palette of the wall paint, furnishings, and rugs.

From there, slowly walk through the art selections and pay careful attention to the art that evokes an immediate reaction. The old adage “I’ll know it when I see it” has never been more true when it comes to choosing art for your home. If you see a piece of art and it creates a feeling of excitement or positive emotion, it may be something you can work with.

This feeling of excitement and emotion may even help you eliminate the art styles that aren’t quite for you, making your future art shopping trips even easier.
After you’ve narrowed your selections down to the pieces that resonate with you, pull out your handy reference photos and measurements and consider how the piece will work within your existing space. Consider how the colors will play with each other, or how much wall space the piece may occupy. Consider the frame that it’s currently in—if it’s framed at all—and whether the style suits your tastes or if you’ll have to budget for a reframe.

It’s important at this stage to avoid talking yourself into an art purchase. Remember, art is a big investment in and of itself, so if you have to completely rework the rest of your space to accommodate your new purchase, it may not be worth it.

Your art style is a way to express your personality within your home. And just like with any other personal style, opinions can change over time. Allow yourself to continuously explore art of all styles by supporting local art galleries and artists. Learn the colors that strike an emotion, or the details that draw you in. Over time, your home’s art style will become even more honed and beautiful.

Lynchburg’s Punk Rock Flea Market Creates a Beautiful Community

Walking into Three Roads Brewing on a Sunday at 3 p.m. is like walking into a family reunion. Everyone is catching up, the beer is flowing, music is playing. You hear, “Market day, baby!” muffled in the background amidst the chatter and clinking of glasses, and you realize that this isn’t a family reunion at all (or is it?). It’s an art market.

Kaleb Gay is the man behind the curtain of this joyous, and sometimes chaotic, scene.

“You want people to stop and wonder what is happening, and then realize that it’s good,” Gay said, almost with a renegade glimmer in his eye.

And stop and wonder is what people do. The LoveLYH Flea Market is Lynchburg’s very own punk rock flea market. From Seattle to Philadelphia punk rock flea markets have been popping up in cities across the country for years, so it was only a matter of time before one came to Lynchburg as well.

While Gay is the current maestro of the weekly market—home to artists, makers, crafters, musicians, and folks hoping to make some cash from their unwanted clothes and housewares in true flea market fashion—Katy Wetzel is the one who brought the concept of a punk rock flea market to Lynchburg.

“I’m originally from just outside of Philadelphia, and I came to Lynchburg to attend Randolph [College]. I had the opportunity to go to a punk rock flea market in Philly, which is a twice-annual thing,” Wetzel explained. “There are punk rock flea markets all over the country and it’s an opportunity for people to just sell stuff if they’re cleaning out their garage, but it’s also a space for makers and artists.”

After Wetzel moved to Lynchburg and got connected with her own network of artists and makers, she knew that Lynchburg had the type of creative community to support a flea market of its own. Dave Ellis, owner of Dish in downtown Lynchburg, offered up the patio and parking lot of Rendezvous, his former restaurant on Main Street across from Dish, as a free spot to host the market.

“Dave is someone who is supportive of all sorts of different cultural happenings in Lynchburg,” Wetzel said. “He’s always all about supporting folks. I wouldn’t have initiated the flea market if I didn’t have the space, and Dave was able to provide that.”

With the venue nailed down, Wetzel knew she needed a partner to help organize and promote the flea market.

“Kaleb was the first person who came to my mind. He’s a maker at heart and an artist,” Wetzel said. “I couldn’t imagine a better person to talk to about starting something like this.”

So, in 2019, the first Lynchburg punk rock flea market was born. Vendors set up tables and tents in an empty parking lot, selling handmade zines, artwork, and clothes. Fast forward three years, and the flea market has grown by leaps and bounds.

Now the flea market has found its home at Three Roads Brewing, where Gay is also a bartender. Having a larger indoor/outdoor space has allowed the flea market to open itself up even further to makers, artists, and musicians.

“It was another opportunity from another wonderful friend,” Gay explained, speaking of former Three Roads manager Molly Fusco, who offered up the Three Roads space in August of 2020.

It’s that sort of mentality—folks stepping up and helping out—that truly encapsulates what makes the LoveLYH Flea Market so special. Wetzel’s and Gay’s vision for the market has always been to keep it as accessible as possible, which is why there are zero fees or costs to have a table or booth space on Sundays. Artists don’t need to sign up or commit to coming long term, they simply need to have something that they want to sell and show up.

“I want people to understand that it’s a free place to set up. You don’t have to be an established arts and crafts person. I’ll probably take a Sunday soon and sell my excess garden tomatoes,” Wetzel said of the free-flowing structure of the market. “It’s a space for all, and it’s so cool that there is no charge for a table or anyone cutting into people’s sales for anything.”

“I see people coming here sometimes who are out of work right now, or struggling financially, and they have an opportunity to sell their stuff and make some income,” Gay furthered. “There’s something to someone showing up and seeing that, ‘You know what, someone just liked my stuff enough to buy it.’ and then they keep doing it and coming back each week.”

That feeling of pride—and of bravery to show up and put yourself out there in the first place—is palpable every Sunday at the market. Rain or shine, folks are able to display their work and make life-changing connections with others.

“The market has been a miracle for me,” said Kat Newcomb, who makes and sells jewelry made with precious and semiprecious stones. “I moved to Lynchburg right before everything shut down [for COVID], so I didn’t know anybody and I hadn’t been anywhere. Kaleb kept telling me that he had started this market, and that I needed to come for a visit, so I showed up, and it quickly became something that I looked forward to every week… . This was my haven every Sunday. I started to meet people. I’ve met so many people who are now my support system. I credit Kaleb and I credit the market for that.”

Newcomb also brings her 8-year-old son with her to the market on Sundays, which has done wonders for his confidence as well.

“He has started doing the singer/songwriter showcase on Sundays,” she said. “Everyone has been so encouraging of him. The round of applause that he received the first time he performed just encouraged him to keep going. He’s getting into music because he has gotten so much encouragement from folks at the market. He’s been so brave, and it’s been a journey for him as well.”

When you experience the LoveLYH Flea Market, you get a sense that maybe it’s not about the art at all—it’s about the connections that you can make. The flea market is an opportunity to meet folks from all walks of life, and share a conversation and a beer with them. The art just happens to be the icebreaker to those conversations.

“We’re a social gathering exploring the limits of community,” Gay said. “It’s a bit more corybantic than your standard or structured market. It leaves a nice amount of wiggle room for expression—and that’s what we all could use a bit more of.”

Folks looking to sell their wares, or simply shop at the LoveLYH Flea Market, can visit Three Roads Brewing on Court Street every Sunday from 3 p.m. to 6 p.m. Follow @lyhpunkrockfleamarket on Instagram for updates.

Little Town Players Continues to Shine a Spotlight on Bedford with Topnotch Productions

Beloved community theatre nonprofit Little Town Players has been making a big impact in Bedford—and beyond—for nearly 50 years, and it will undoubtedly continue to do so in the future. With its rich and decorated history, generous and talented volunteers, and commitment to presenting dynamic and high-quality productions, LTP is a triumphant testament to the power of close-knit communities.

“Bedford is thought of as a tight-knit community, and Little Town Players is very much a tight-knit community as well,” says LTP Board President Lisa Butler.

Little Town Players’ story began in 1975 with a group of enthusiastic thespians, many of whom were members of St. John’s Episcopal Church in Bedford.

“At that time, there had not been any local theatre in Bedford for at least two decades,” Butler notes. “Roy and Karen Thorpe led a production of Our Town at St. John’s. Karen directed the play, and the majority of the cast was comprised of the church congregation. The show was a great success, so LTP officially began in 1976 with its first season of shows.”

Shortly thereafter, Little Town Players gained 501(c)(3) status and brought on its first Board of Directors. The Board originally had seven members, and now it has nine. The organization also found its permanent home at a former movie house.

“Somebody at the church found out that there was an old movie house that was not being utilized on the campus of the Elks National Home,” Butler recalls. “LTP has had a home in that space, which is called the Fred Harper Theatre, ever since. We have a great working relationship with The Elks: A Noble Senior Living Community.”

In 1983, a historic honor solidified Little Town Players’ status as a top-tier theatre organization: then-President Ronald Reagan awarded LTP a Volunteer Action Award for the Arts and Humanities. The Volunteer Action Awards were designed to honor outstanding volunteer achievements. In 1982, more than 2,000 groups were nominated nationally for 20 awards in 10 categories.

“In addition to having fantastic volunteers, I think that LTP was chosen for the award because of our ability to make the most of our fairly limited resources,” Butler says. “For instance, if we needed a stove for a production, we would get a cardboard box that a stove came in from a local electric company and paint it to look like the real thing. We’ve certainly come a long way!”

The Fred Harper Theatre specifically has come a long way thanks to many improvements over the years.

“We took the booth area from the former movie house and turned it into a booth for our sound and light controls,” notes Butler. “We’re working on getting all of our lights switched over to LED lighting, we’ve recovered our seats, and we’ve added lights above the stage. We’ve also built dressing rooms, installed heating and air conditioning, added bathrooms downstairs for the cast, and enclosed the lobby. We are able to use the space rent-free, so we do whatever we can to help the Elks continue to remain vibrant. It’s an ideal partnership.”

Since it was founded, Little Town Players has presented a wide variety of productions including Driving Miss Daisy, The Sound of Music, Fiddler on the Roof, Cat on a Hot Tin Roof, A Christmas Story: The Musical, Steel Magnolias, A Streetcar Named Desire, My Fair Lady, The Secret Garden: A Musical, and many more. Butler’s personal favorites are The Wizard of Oz, in which she portrayed Dorothy, and Always… Patsy Cline, in which she portrayed the titular character. See the sidebar for LTP’s upcoming lineup of productions.

Although LTP presents shows with apparent ease, a great deal of behind-the-scenes work goes into each production.

“We have a play-reading committee that consists of six to 10 people,” Butler says. “Each person brings suggestions of productions within three different categories: musicals, comedies, and dramas. We typically start out with 60 to 70 possibilities. The committee starts discussing pros and cons of each of the shows: the feasibility of building certain sets, whether or not patrons are likely to enjoy the production, how difficult the production would be to cast, etc. Once the committee limits the choices and votes on a slate, they present it to the Board for approval. The whole process generally takes five to six months.”

The members of that committee, Board members, actors, and a myriad of others involved in each production are volunteers. Directors, music directors, and choreographers receive small stipends.

“Without volunteers, LTP simply would not exist,” Butler remarks. “We are very lucky to have so many wonderful volunteers. Anyone can get involved by checking out our website and filling out our volunteer form. We can always use stage managers, light and sound workers, costumers, set designers, builders, painters, ushers, box office assistants, play-reading committee members, and more.”

According to Butler, LTP has a dual primary mission.

“Our mission is to both entertain and educate our audiences through theatre,” she says. “You may not think you’ll be entertained by a production that is laden with facts or educated by a comedy, but we aim to make those things happen. My mission as Board President is to ensure that all that is done within our theatre is done to uphold and support LTP’s mission and to ensure that LTP is around for generations to come.”

Little Town Players offers an annual scholarship to encourage involvement among young people in its and other organizations’ theatre programs.

“For over 20 years, we’ve offered a $1,000 scholarship each year to a Bedford County graduating high school senior,” notes Butler. “Preference is given to graduating seniors who have been involved with Little Town Players, but it is not a requirement. The student needs to be very involved with theatre, but they do not need to be pursuing a theatre degree.”

There is no doubt that community is the cornerstone of Little Town Players. Butler, who met her husband through the organization and was involved in LTP’s production of Little Women: The Musical with her husband and two of her children, believes that anyone who gets involved with LTP will find a home away from home.

“Little Town Players is truly like a family,” she says.

“For us, community theatre is all about getting together and having fun while making beautiful art that is representative of our community.”

---

UPCOMING LITTLE TOWN PLAYERS SEASON
Shows are presented on Fridays and Saturdays at 7:30 p.m. and Sundays at 2:00 p.m.

The Mousetrap
Sept. 9-18, 2022

Blithe Spirit
Nov. 4-13, 2022

12 Angry Men
Feb. 24-March 5, 2023

Little Shop of Horrors
May 12-21, 2023

Charcoal Artist

Lynchburg Living: Nakila, tell us a little about yourself.
Are you from the area?

Nakila White: I was born and raised right here in Lynchburg. Growing up I tried my hand at several different hobbies and the one that seemed to stick the most—and that I really had a passion for—is art!

LL: When did that passion for art begin?
NW: Art has always played a pretty big part in my life since I was little. I used to take any piece of paper I could find and make illustrations either from my imagination or a cartoon I was obsessing over. It wasn’t until after high school that I started getting serious with what I wanted to do with it. My art teacher at the time, Mrs. McDonald, gifted me with a bigger sketchbook and different mediums to try out, which slingshot my interest in creating on a larger scale. Once I realized portraits were what I wanted to do, I focused more on trying to perfect methods and narrow down which medium I preferred.

LL: That leads us to the next question. Is charcoal your primary medium?
NW: I’ve dabbled in colored pencils, normal graphite and, very briefly, paint—however after not really meshing well with any of them I turned to charcoal and instantly fell in love. I purchase charcoal blocks in bulk, place them in a small container and crush them up myself into a fine powder. Using normal paint brushes and small eyeshadow brushes, I dip the brushes into the powder and apply it directly to the paper over and over until I achieve the tone I want. After applying details with either a charcoal pencil, kneaded eraser or mono zero eraser (which is just a very small mechanical eraser) I smooth everything out with Puffs Plus Tissues with Lotion! Puffs Plus is the only tissue that allows a light layer of charcoal to be lifted while also creating a smooth skin type texture.

LL: What are some of your favorite pieces you have created so far?
NW: Each piece I’ve created has its own special place in my heart due to the challenges each one presented that helped me to become a better artist. However my “In Moonlight, Black Boys Look Blue” series, which I finished in 2020, is always the one I find myself looking at over and over again. In a close second is my more recent “No One’s Laughing Now” based off Joaquin Phoenix as the Joker. This was the first portrait I’ve done with a not-so-normal skin texture due to his face being covered in paint.

LL: What types of challenges have you faced as an artist?
NW: At the end of the day, I am my biggest critic. The process of drawing is long, mentally and physically exhausting and very time-consuming—from picking out a photo reference that has the right amount of expression and detail to the very end when I hang the portrait on a wall and stare at it for hours at a time finding the smallest of inconsistencies. There have been plenty of times I get halfway through a drawing and, because I didn’t make sure I was in the right headspace when I started, I ended up scrapping the entire thing and starting over.

LL: What are you currently working on?
NW: By the time this article comes out I should be elbow deep in commissions! The recent amount of love and support I’ve gotten since my art show at the Academy Center of the Arts in February is very overwhelming in the best way possible! Knowing that so many people appreciate my art to the point they trust me to draw their loved ones or favorite celebrities means the world.

LL: What advice do you have for future artists?
NW: There are no rules or regulations that need to be followed. And that’s what I love so much about it. No matter what your medium or style is, at the end of the day, if you love it, it is art. And if you’re proud of what you created, then that’s the best success anyone could ask for.